Uijohull: Ağustos 2014

31 Ağustos 2014 Pazar

!! Free PDF Neoliberalism in Vietnam (Positions Asia Critique Spring 2012), by Ann Marie Leshkowich, Christina Schwenkel

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Like China, Vietnam has one of the world’s fastest growing economies on account of its hybridized "market socialism" that combines elements of its official socialist system with free market capitalism. This special issue examines Vietnam’s current social and economic improvisations as situated in specific local and historical experiences. These essays address the complexities and multiplicities of neoliberal reform agendas, demonstrating that socialist and neoliberal regimes are neither exclusive nor distinct.
Contributors draw their conclusions from ethnographic fieldwork in contemporary urban spaces. They link neoliberalism in Vietnam to a set of globally diverse technical practices, institutions, modes of power, and governing strategies; for example, in its shifting currency regimes and its anticorruption campaigns. Contributors also explore the growing emphasis on self-improvement and modernization through studies of architecture, changing beauty standards, and the impact of in vitro fertilization. Biopolitical logics and the self-regulation of moral personhood are also addressed in essays on HIV/AIDS and transnational adoption. The issue highlights the ways in which the socialist past is integral to the present in Vietnam, even as it is remade and newly configured.

Contributors: Erik Harms, Nina Hien, Ann Marie Leshkowich, Li Zhang, Ken MacLean, Alfred John Montoya, Melissa J. Pashigian, Christina Schwenkel, Allison Truitt

Guest editors: Christina Schwenkel (Associate Professor, Department of Anthropology, University of California at Riverside) and Ann Marie Leshkowich (Associate Professor and Chair, Department of Sociology and Anthropology, College of the Holy Cross).

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29 Ağustos 2014 Cuma

@ Ebook Download D-Passage: The Digital Way, by Minh-ha T. Trinh

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D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches.

Sales Rank: #2037087 in Books
Published on: 2013-09-20
Original language: English
Number of items: 1
Dimensions: 9.00" h x .50" w x 7.00" l, .97 pounds
Binding: Paperback
224 pages

Review
"D-Passage is a nuanced and original intervention in new media and digital arts. For Trinh T. Minh-ha, the digital artwork, or 'd-work,' is characterized not by the technology that delivers it but by the 'passage' itself: digital form achieved in flux, in the movement of experience and sensation through the work. Words are never merely words in her work, and the same is true for images, ideas, sounds, music, voices, faces and figures, movement and tone. Everything is marked by a passage elsewhere."—Akira Mizuta Lippit, author of Ex-Cinema: From a Theory of Experimental Film and Video (N/A)

"In a world of intervals—spaces between things—Trinh has the unique ability to connect things and to articulate their interdependence. Presence requires absence, something nothing, reality illusion, and being nonbeing. Trinh's perspective enables her to shed considerable light on the way digital technology 'impacts upon the foundation of our knowledge and upon our perceptions of the world.'" (John Belton Film Quarterly)

"Trinh meditates on the complex interrelations between individual selves speaking from unique and particular places in space and time . . . between speakers-writers and readers-hearers. I would argue that embedded in that meditation are the traditional philosophical issues of nature of self, reality, and knowledge. Most important, however, Trinh touches on what I take as the core essence of philosophy, the reinvention of thought adequate to a changing world."
(Andrea Nye Hypatia)

“On formal grounds alone, D-Passage achieves a miraculous level of pushing the basis of academic publishing forward and calls into question the motivations behind any kind of ‘safe’ work, be it in the name of art or academia. Fortunately, Trinh is not only a provocateur in the best sense, but also a rigorous intellectual who is fully capable of managing experimental approaches without allowing these potentially unwieldy attempts to overwhelm the content of her work. Even better still – she appears to have a wicked sense of humor about it all.” (Clayton Dillard Journal of American Culture 2015-09-01)

About the Author

Trinh T. Minh-ha is a filmmaker, multimedia artist, writer, composer, and postcolonial feminist theorist. Her award-winning films—including Night Passage, The Fourth Dimension, A Tale of Love, Shoot for the Contents, Surname Viet Given Name Nam, Naked Spaces – Living Is Round, and Reassemblage—have been shown at film festivals and in museums around the world. She is the author of numerous books, including Elsewhere, Within Here; Cinema Interval; Framer Framed; When the Moon Waxes Red; and Woman, Native, Other. She is Professor of Gender & Women's Studies, and Rhetoric at the University of California, Berkeley.

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24 Ağustos 2014 Pazar

! Free PDF Blood and Fire: La Violencia in Antioquia, Colombia, 1946-1953, by Mary Roldán

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Between 1946 and 1966a surge of violence in Colombia left 200,000 dead in one of the worst conflicts the western hemisphere has ever experienced. the first seven years of this little-studied period of terror, known as la Violencia, is the subject of Blood and Fire. Scholars have traditionally assumed that partisan politics drove La Violencia, but Mary Roldán challenges earlier assessments by providing a nuanced account of the political and cultural motives behind the fratricide. Although the author acknowledges that partisan animosities played an important role in the disintegration of peaceful discourse into violence, she argues that conventional political conflicts were intensified by other concerns.
Through an analysis of the evolution of violence in Antioquia, which at the time was the wealthiest and most economically diverse region of Colombia, Roldán demonstrates how tensions between regional politicians and the weak central state, diverse forms of social prejudice, and processes of economic development combined to make violence a preferred mode of political action. Privatization of state violence into paramilitary units and the emergence of armed resistance movements exacted a horrible cost on Colombian civic life, and these processes continue to plague the country.
Roldan’s reading of the historical events suggests that Antioquia’s experience of la Violencia was the culmination of a brand of internal colonialism in which regional identity formation based on assumptions of cultural superiority was used to justify violence against racial or ethnic "others" and as a pretext to seize land and natural resources. Blood and Fire demonstrates that, far from being a peculiarity of the Colombians, la Violencia was a logical product of capitalist development and state formation in the modern world.
This is the first study to analyze intersections of ethnicity, geography, and class to explore the genesis of Colombian violence, and it has implications for the study of repression in many other nations.

Sales Rank: #369049 in Books
Brand: Brand: Duke University Press Books
Published on: 2002-06-11
Original language: English
Number of items: 1
Dimensions: 9.26" h x 1.09" w x 6.36" l, 1.40 pounds
Binding: Paperback
416 pages

Features

Used Book in Good Condition

Review
“Mary Roldán’s enduring commitment to the history of Colombia, and to the principles of thoroughness, fairness, and accuracy, combine to make this a truly exceptional book. Colombia is perhaps the least-known or understood country in Latin America, and yet the United States’ involvement with it only continues to grow. By following the day-to-day evolution of partisan conflict in the region of Antioquia during the dreadful period of carnage remembered simply as la Violencia, Roldán makes possible a crucial understanding of the current violence in that beautiful and baffling Andean country.”—Alma Guillermoprieto, author of Looking for History: Dispatches from Latin America

“This marvelous book makes important contributions in multiple ways. Beyond her nuanced analysis of the la Violencia and of sociopolitical values and ethnic/racial attitudes in Antioquia, Roldan illuminates important features of the political system. Her work, already influential among scholars working on twentieth-century Colombia, fortunately will now be available to a wider audience.”—Frank Safford, author of Colombia: Fragmented Land, Divided Society

From the Publisher
"Mary Roldán's enduring commitment to the history of Colombia, and to the principles of thoroughness, fairness, and accuracy, combine to make this a truly exceptional book. Colombia is perhaps the least-known or understood country in Latin America, and yet the United States' involvement with it only continues to grow. By following the day-to-day evolution of partisan conflict in the region of Antioquia during the dreadful period of carnage remembered simply as la Violencia, Roldán makes possible a crucial understanding of the current violence in that beautiful and baffling Andean country."—Alma Guillermoprieto, author of Looking for History: Dispatches from Latin America

"This marvelous book makes important contributions in multiple ways. Beyond her nuanced analysis of the la Violencia and of sociopolitical values and ethnic/racial attitudes in Antioquia, Roldan illuminates important features of the political system. Her work, already influential among scholars working on twentieth-century Colombia, fortunately will now be available to a wider audience."—Frank Safford, author of Colombia: Fragmented Land, Divided Society

From the Back Cover
"This marvelous book makes important contributions in multiple ways. Beyond her nuanced analysis of the "la Violencia" and of sociopolitical values and ethnic/racial attitudes in Antioquia, Roldan illuminates important features of the political system. Her work, already influential among scholars working on twentieth-century Colombia, fortunately will now be available to a wider audience."--Frank Safford, author of "Colombia: Fragmented Land, Divided Society "

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5 of 6 people found the following review helpful.
A complicated analysis of a complicated problem
By Cathy
Mary Roldan tackles a complex issue in Blood and Fire. In 1946, Colombia entered a period of violent conflict known simply as La Violencia. The traces of that early eruption can still be seen today, as much of Colombia is still uncontrolled by the government, and subject to rule by guerrilla revolutionaries and reactionary paramilitaries. Today, the problem is ignored by the U.S. government and mainstream media, who choose to assume that all violence there is drug-related, instead of examining facts. To understand the continuing violence in the Colombian countryside, one must understand the origins of that violence.

There's no easy answer for those seeking the reasons that Colombia could have endured such strife for so long, and Roldan doesn't offer one. She narrows her analysis to examine a single department (province) in Colombia, and offers many overlapping suggestions for why the formerly peaceful partisan politics could have turned so bloody there. Roldan is clearly an intelligent scholar who devoted a great deal of energy to her research, and as a Colombian, is passionate about this topic. Roldan's refusal to offer a concrete answer marks her, in some ways, as an honest researcher, but in providing so many different possibilities, the narrative of the book is often confused. It is clear that Roldan did an immense amount of very thorough research, but she is unable to draw a very clear picture of the events of La Violencia. This is, in part, due to the complexity of the problem, but there are structural issues in the writing as well; it is a difficult book to read.

La Violencia is a difficult issue, for historians or modern political scientists, and as such, it often gets ignored. Roldan's book is a seminal analysis, and definitely offers a great deal of information to some one learning about Colombian history for the first time. But be prepared for a difficult read. In many ways, the ongoing struggle in Colombia is like the conflict in the Middle East; learning the history may provide you with a new understanding of the events, but motives are much harder to discern.

7 of 10 people found the following review helpful.
Brilliant
By Bert Ruiz
Mary Roldán has authored a masterpiece. She destroys many simplistic viewpoints often used in Washington to justify U.S. aid. The author uses a powerful prism to examine the violence in Colombia. She concludes that paramilitary death squads are one of the greatest threats to democracy in Colombia. Roldán's research is impressive. She deserves loud applause.

0 of 0 people found the following review helpful.
Five Stars
By Carlos A. Brando
Great

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23 Ağustos 2014 Cumartesi

~~ Free PDF The Sacred Harvest: Ojibway Wild Rice Gathering (We Are Still Here), by Gordon Regguinti

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Glen Jackson, Jr., an eleven-year-old Ojibway Indian in northern Minnesota, goes with his father to harvest wild rice, the sacred food of his people.

Sales Rank: #349015 in Books
Brand: Lerner Publishing Group
Published on: 1992-09
Original language: English
Number of items: 1
Dimensions: .21" h x 8.12" w x 9.24" l,
Binding: Paperback
48 pages

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Great product!

From School Library Journal
Grade 4-8-- Glen Jackson, Jr., is an 11-year-old Ojibway Indian from the Leech Lake reservation in Minnesota. His people are wild rice growers, and the annual harvest has as much spiritual meaning for his people as the raising of corn, beans, and squash does for the Hopi and the Seneca. Glen is taking part in the ritual for the first time and is worried that he won't be strong enough to push the canoe through the rice beds without tipping over. As in Woods's A Boy Becomes a Man at Wounded Knee (Walker, 1992) and Keegan's Pueblo Boy (Dutton, 1991), readers are introduced to the modern Indian world through the experiences of an individual young person. Ojibway history and descriptions of the reservation are smoothly blended into the narrative as Glen learns how to harvest, parch, winnow, and cook the rice. There is a lot of information here, and readers will gain much from it and the many well-chosen, full-color photographs of the Jackson family. A word list and excellent bibliography conclude the book, and author Michael Dorris contributes an excellent foreword that captures the real strength of this and similar books --Lisa A. Mitten, University of Pittsburgh, PA
Copyright 1992 Reed Business Information, Inc.

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4 of 4 people found the following review helpful.
The Sacred Harvest
By A Customer
Very good and clear to know how to harvest wild rice and what wild rice means to American Indian.

0 of 3 people found the following review helpful.
book
By toki8th grader
I thought the book was really bad. they should of done a better job on showing how it was to live where they lived. although the cover of the book kinda looked interesting. one thing that was ok about the book was how they had to survive.

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Sales Rank: #1740814 in Books
Published on: 2001-01-01
Original language: English
Number of items: 1
Dimensions: 7.50" h x 5.00" w x .25" l, .15 pounds
Binding: Paperback
72 pages

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Sales Rank: #2223644 in Books
Brand: Brand: Zebra
Published on: 1992-03-01
Released on: 1992-03-01
Original language: English
Number of items: 1
Dimensions: 7.00" h x 4.25" w x .50" l,
Binding: Mass Market Paperback
253 pages

Features

Used Book in Good Condition

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0 of 0 people found the following review helpful.
Four Stars
By ChuckVan1954
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Good read...
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You have to keep going until the end.

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Sales Rank: #2341900 in Books
Published on: 2000-01-01
Original language: English
Number of items: 1
Dimensions: 7.75" h x 5.25" w x .50" l,
Binding: Paperback
72 pages

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16 Ağustos 2014 Cumartesi

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Sales Rank: #3636200 in Books
Brand: Brand: Lerner Publishing Group
Published on: 1999-02
Original language: English
Number of items: 1
Dimensions: .45" h x 7.29" w x 9.30" l,
Binding: Hardcover
64 pages

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From School Library Journal
Grade 4-6-A pleasant, if bland, series designed to reinforce the "real-life" side of history. Between the introduction and afterword, each of these slim volumes contains five fictional vignettes that focus on "the way it was" for a variety of individuals who lived at these sites. In both titles, full-color and sepia-toned photos, reproductions, and drawings depict homes, artifacts, and local scenery. Mesa Verde follows a young matron, her 9-year-old daughter, her 10-year-old son, a trader, and a holy man as they go about their daily tasks in Balcony House, an actual cliff dwelling in Mesa Verde National Park. Maps and diagrams accompany the readable text, and information boxes provide a factual counterpoint to the fictional narrative. Teamed with Caroline Arnold's The Ancient Cliff Dwellers of Mesa Verde (Clarion, 1992) and Scott S. Warren's Cities in the Sand (Chronicle, 1992), this semi-fictional title will add a human touch to a unit on a vanished civilization. Monticello visits with Thomas Jefferson, his 10-year-old granddaughter, a visitor to Monticello, and two slaves. Again, diagrams of gardens and grounds and floor plans accompany the text, and information boxes are everywhere. Yoked with Robert Quackenbush's Pass the Quill, I'll Write a Draft: A Story of Thomas Jefferson (Pippin, 1989), Jim Hargrove's Thomas Jefferson (Children's, 1986), and Leonard E. Fisher's Monticello (Holiday, 1988), this title will add a down-to-earth aspect to a founding father.
Patricia Manning, formerly at Eastchester Public Library, NY
Copyright 1999 Reed Business Information, Inc.

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1 of 1 people found the following review helpful.
Met our expectations.
By Amazon Customer
Fun reading and remembering our trip to Mesa Verde. Pictures were helpful for my son's project. It arrived on time.

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By Paula C. Olmstead
Mesa Verde – very helpful guide to have on our trip thank you

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Sales Rank: #5731960 in Books
Brand: Brand: Lerner Publications
Published on: 2003-01-01
Original language: Spanish
Number of items: 1
Dimensions: .32" h x 6.54" w x 7.32" l, .36 pounds
Binding: Hardcover
24 pages

Features

Used Book in Good Condition

Language Notes
Text: Spanish (translation)
Original Language: English

About the Author
Robin Nelson's jobs have always kept her surrounded by books--as an elementary teacher, working at a publishing company, and working in a library. But her favorite job is writing books for kids. She has written more than 140 nonfiction books for children. She lives with her family in Minneapolis.

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9 Ağustos 2014 Cumartesi

^ Download PDF An Octoroon, by Branden Jacobs-jenkins

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Sales Rank: #458214 in Books
Published on: 2015-04
Original language: English
Dimensions: 7.50" h x 5.25" w x .25" l,
Binding: Paperback
60 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
not for me
By Leonora A. Perry
I don't like this play it takes too many liberties for too small a reward - I read it for class and will pass it on to a friend who I think will enjoy it

1 of 1 people found the following review helpful.
school reading assignment
By Gwendolyn
BJ Jenkins...loved his work..funny...dramatic...

0 of 0 people found the following review helpful.
Five Stars
By Glenda G. MccRacken
Interesting and informative.

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8 Ağustos 2014 Cuma

>> Download Shyster - Acting Edition, by Bryan Goluboff

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Sales Rank: #4457506 in Books
Published on: 2000-01-01
Original language: English
Dimensions: 7.75" h x 5.25" w x .25" l,
Binding: Paperback
72 pages

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7 Ağustos 2014 Perşembe

@ Ebook Free Bat Boy: The Musical - Acting Edition, by Keythe Farley, Brian Flemming, Laurence O'Keefe

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6 men, 4 women (doubling, flexible casting). Based on a story in The Weekly World News, BAT BOY: THE MUSICAL is a musical comedy/horror show about a half boy/half bat creature who is discovered in a cave near Hope Falls, West Virginia. For lack of a better solution, the local sheriff brings Bat Boy to the home of the town veterinarian, Dr. Parker, where he is eventually accepted as a member of the family and taught to act like a "normal" boy by the veterinarian's wife, Meredith, and teenage daughter, Shelley. Bat Boy is happy with his new life, but when he naively tries to fit in with the narrow-minded people of Hope Falls, they turn on him, prodded by the machinations of Dr. Parker, who secretly despises Bat Boy. Shelley and Bat Boy, who have fallen in love, run away together from the ignorant townfolk and have a blissful coupling in the woods, but their happiness is shattered when Meredith arrives and reveals a secret. Soon the entire town arrives and hears the shocking story of Bat Boy's unholy origin.

Sales Rank: #646617 in Books
Brand: Farley, Keythe/ Flemming, Brian
Published on: 2002-01-01
Original language: English
Number of items: 1
Dimensions: 9.50" h x 6.50" w x .25" l, .20 pounds
Binding: Paperback
72 pages

Most helpful customer reviews

22 of 24 people found the following review helpful.
Bat Boy Script
By A Customer
This is a script for an amazing off-Broadway musical: Bat Boy. In the musical, a half-bat/half-boy is discovered in West Virginia and taken by the local vet's family. He learns to talk and struggles to be accepted into the small community. He eventually falls in love with the vet's daughter, but it doesn't work out (interspecies relationships usually aren't a good idea).
This is a very witty script. There are jokes everywhere in the text. The music is also amazing. The actual musical composition and the lyrics are both spectacular.
As a horricomedy, Bat Boy not only makes you laugh, but also makes you stop and think. I'd reccommend this script for anyone who likes parody, comedy, or musical theatre.

6 of 6 people found the following review helpful.
Apology To A Cow
By Robert I. Hedges
This script is for the off-Broadway production "Bat Boy: The Musical." The published script is very accurate compared to the version I have seen staged and to the soundtrack (which is available on CD). The main character, Bat Boy, comes, of course, from "The Weekly World News" where he is a running character (most lately seen assisting Marines in Iraq). Here he falls for a young girl and love prevails (sort of) over the protests of just about everyone.

The story is largely a comedy, but I think "tragi-comedy" is really more accurate. There are little jokes and puns everywhere in the script, and the songs are funny and well written. The show has one big shocker that most people won't see coming, so I won't spoil it, although it's a pretty grim little secret: not to fear though, the script is only 94 pages long, and is easily read in an hour, so your suspense won't last long.

This makes a good companion to the soundtrack or play, but if you can, the best option is to simply go see this production staged somewhere: when done well it is a wonderful (if quirky) little show!

3 of 3 people found the following review helpful.
Thrilling!
By A Customer
I read this play and later saw it, too, performed at the local high school. The script itself is a brilliant work, but if you really want the full experience it is a must-see show. The music is heart-rending and inspiring, and the lyrics are creative and meaningful. I find the story, if a bit twisted, to be very truthful to our modern society, and it gives insight to our natural discriminatory ways. The Bat Boy has to face the hatred of the townsfolk and struggle to get them to see him for who he really is. This simple theme is packed with twists and turns galore, plenty of suspense, and loads of laughs. Every time a song or a scene gets pulled to a tense or teary climax, there will be a line, or even a subtle word, that provides comic relief. The script alone is wonderful to read, but I recommend you buy the CD with it, because the music is so incredible. Overall, a thrilling play!

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