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Conflicted Antiquities is a rich cultural history of European and Egyptian interest in ancient Egypt and its material culture, from the early nineteenth century until the mid-twentieth. Consulting the relevant Arabic archives, Elliott Colla demonstrates that the emergence of Egyptology—the study of ancient Egypt and its material legacy—was as consequential for modern Egyptians as it was for Europeans. The values and practices introduced by the new science of archaeology played a key role in the formation of a new colonial regime in Egypt. This fact was not lost on Egyptian nationalists, who challenged colonial archaeologists with the claim that they were the direct heirs of the Pharaohs, and therefore the rightful owners and administrators of ancient Egypt’s historical sites and artifacts. As this dispute developed, nationalists invented the political and expressive culture of “Pharaonism”—Egypt’s response to Europe’s Egyptomania. In the process, a significant body of modern, Pharaonist poetry, sculpture, architecture, and film was created by artists and authors who looked to the ancient past for inspiration.

Colla draws on medieval and modern Arabic poetry, novels, and travel accounts; British and French travel writing; the history of archaeology; and the history of European and Egyptian museums and exhibits. The struggle over the ownership of Pharaonic Egypt did not simply pit Egyptian nationalists against European colonial administrators. Egyptian elites found arguments about the appreciation and preservation of ancient objects useful for exerting new forms of control over rural populations and for mobilizing new political parties. Finally, just as the political and expressive culture of Pharaonism proved critical to the formation of new concepts of nationalist identity, it also fueled Islamist opposition to the Egyptian state.

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  • Sales Rank: #2782868 in Books
  • Published on: 2000-01-01
  • Original language: English
  • Dimensions: 7.50" h x 5.00" w x .25" l,
  • Binding: Paperback
  • 72 pages

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Summarizes where water is found on Earth, including lakes, icebergs, and a garden hose, and introduces related concepts such as how to find water on a map and facts such as how high the highest waterfall is.

  • Sales Rank: #4050141 in Books
  • Brand: Brand: Lerner Classroom
  • Published on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .20" h x 5.90" w x 6.80" l, .15 pounds
  • Binding: Paperback
  • 23 pages
Features
  • Used Book in Good Condition

From Booklist
Reviewed with Robin Nelson's We Use Water.

PreS-K. With one simple, straightforwardly expressed fact per page and a crisp photo that clearly illustrates the information, these books on water, part of the First Step umbrella series (see the Top 10 list), are solid examples of good nonfiction bookmaking for the very young. The language and syntax are just right for beginning readers, and each book deals with a single, general topic presented through pictures of mostly everyday activities. In We Use Water, for example, children will see themselves and others making ice cubes, washing their hands, fighting fires, and running on the beach. Pictures in both books can also lead to discussions of less familiar ideas: water as a source of electricity, water as snow. Each book closes with some additional facts and a brief glossary. These are new books that live up to the promise of an already first-rate series. Stephanie Zvirin
Copyright © American Library Association. All rights reserved

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~~ Fee Download The Conjure Woman and Other Conjure Tales, by Charles W. Chesnutt

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The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work.
In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman.
Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.

  • Sales Rank: #940299 in Books
  • Brand: Brand: Duke University Press
  • Published on: 1993-10-19
  • Released on: 1993-10-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .54" w x 6.00" l, .75 pounds
  • Binding: Paperback
  • 216 pages
Features
  • Used Book in Good Condition

Review
"Finally, we have Charles W. Chesnutt's conjure woman stories as he wrote them, not as Houghton Mifflin edited them. This collection is a landmark in American literary publishing for it helps us to understand the pressures exerted upon all authors and especially on African American writers. More important, these wonderful stories are now available to a new generation of readers."—Cathy N. Davidson

"The publication of the conjure tales of Chesnutt constituted a crucial development in the history of African American [literature]. Yet up to now no one has attempted to do what Brodhead has done--namely, collect all the stories in this vein and publish them with an introduction that explains their import individually, serially, and as a collection. . . . His introduction augments the best scholarship that's been done on Chesnutt with his own broad expertise in the history of American fiction and his acute readings of individual Chesnutt tales."—William L. Andrews, University of Kansas

From the Back Cover
"Finally, we have Charles W. Chesnutt's conjure woman stories as he wrote them, not as Houghton Mifflin edited them. This collection is a landmark in American literary publishing for it helps us to understand the pressures exerted upon all authors and especially on African American writers. More important, these wonderful stories are now available to a new generation of readers."--Cathy N. Davidson

About the Author

Charles W. Chesnutt (1858- 1932) is the author of The Wife of His Youth and Other Stories (1899), The House Behind the Cedars (1900), The Marrow of Tradition (1901), and Colonel's Dream (1905).

Richard H. Brodhead, Professor of English at Yale University, is the author of numerous books about nineteenth-century American Literature, including Cultures of Letters: Scenes of Reading and Writing in Nineteenth-Century America.

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22 of 23 people found the following review helpful.
A wonderful story and an important work of literature
By Kristen Beck
Charles Chestnutt's A Conjure Woman is a collection of short stories told by a former slave named Julius to a White couple who have recently moved to the South. Written at the turn of the century, Chestnutt was addressing a primarily White audience who were recovering from Reconstruction and were fond of plantation-style literature which looked upon slavery with nostalgia. On the surface, the author seems to be catering to the nostalgic pre-Civil War idea, but in actuality, Julius' stories have a much deeper moral which reveal a harsh and terrible way of life for Blacks of the time. Mixed with elements of magic and conjuring, Julius' seems to be telling fanciful fairy tales, but with a closer look, one realizes that Chestnutt has no fondness or nostalgia for the times of slavery. This is a well-written and thought-provoking book and it is an important novel of America's history.

6 of 6 people found the following review helpful.
A must for anyone interested in African American Literature
By dandeliondreamer
What is most interesting about these stories is both the narrative framework & the way the narrator of the stories about the black community (there are essentially two narrators) uses magic ("The Goophered Grapevine" and "Po' Sandy" especially) to usurp the authority of the white landowner (the primary narrator, who is re-telling the stories Julius has told him). Maybe it takes an understanding of African American literary traditions-- signifying, call & response, etc, to really dig in, but you can still relate without that background.
There are multiple layers of narration going on-- and once you can get through those layers, you can both enjoy the story-line and understand something pivotal about the way the African American genre works. The dialect and speech patterns are represented in a way that was criticized by some early African American writers who wanted a more "realistic" "naturalistic" and political structure. But underneath the "quaint" nature of the stories about magic & the slave/master relationship are some very subtle and very powerful images of how the slave and master influence *each other*-- that there are differences in the power dynamic than what we expect. It might be hard to get into the language-- but once you do, it's not overdone. Read the dialect the way you would learn another language; it's English, with a twist. There is also a great story on "passing," and some exploration of voodoo. This is a text that should be taught alongside Faulkner & Flannery O'Connor-- another look at the South.

0 of 0 people found the following review helpful.
Uncle Remus turned upside down!
By Andre M.
In some ways, this could be seen as the flipside to the Uncle Remus stories(which celebrated many aspects of plantation life). Chesnutt, the first African-American known to write a large number of shiort stories, tells the tales of Uncle Julius McAdoo, who tells his white employers tales of slavery with harrowing underpinnings about seperation of families and other hardships, usually in an ironic style. Considering that these stories were written in the 1890s when sentiental tales of plantation lifewere popular, this is a significant piece of work-buy it.

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  • Sales Rank: #3555324 in Books
  • Brand: Brand: Dramatists Play Service, Inc.
  • Published on: 2000-01-01
  • Original language: English
  • Dimensions: 7.75" h x 5.50" w x .25" l,
  • Binding: Paperback
  • 72 pages
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The Gendered Worlds of Latin American Women Workers: From Household and Factory to the Union Hall and Ballot Box (Comparative and Internati

The Gendered Worlds of Latin American Women Workers: From Household and Factory to the Union Hall and Ballot Box (Comparative and Internati



The Gendered Worlds of Latin American Women Workers: From Household and Factory to the Union Hall and Ballot Box (Comparative and Internati

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The Gendered Worlds of Latin American Women Workers examines the lives of Latin American women who entered factory labor in increasing numbers in the early part of the twentieth century. Emphasizing the integration of traditional labor history topics with historical accounts of gender, female subjectivity, and community, this volume focuses on the experience of working women at mid-century, especially those laboring in the urban industrial sector. In its exploration of working women’s agency and consciousness, this collection offers rich detail regarding women’s lives as daughters, housewives, mothers, factory workers, trade union leaders, and political activists.
Widely seen as a hostile sexualized space, the modern factory was considered a threat, not only to the virtue of working women, but also to the survival of the family, and thus, the future of the nation. Yet working-class women continued to labor outside the home and remained highly visible in the expanding world of modern industry. In nine essays dealing with Argentina, Brazil, Chile, Colombia, and Guatemala, the contributors make extensive use of oral histories to describe the contradictory experiences of women whose work defied gender prescriptions but was deemed necessary by working-class families in a world of need and scarcity. The volume includes discussion of previously neglected topics such as single motherhood, women’s struggle against domestic violence, and the role of women as both desiring and desired subjects.

Contributors. Ann Farnsworth-Alvear, Mary Lynn Pedersen Cluff, John D. French, Daniel James, Thomas Miller Klubock, Deborah Levenson-Estrada, Mirta Zaida Lobato, Heidi Tinsman, Theresa R. Veccia, Barbara Weinstein

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! Get Free Ebook An Iliad, by Lisa Peterson

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An Iliad, by Lisa Peterson



An Iliad, by Lisa Peterson

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An Iliad, by Lisa Peterson

An Iliad

  • Sales Rank: #566563 in Books
  • Published on: 2013-10-15
  • Original language: English
  • Dimensions: 7.75" h x 5.25" w x .25" l, .15 pounds
  • Binding: Paperback
  • 55 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
An Iliad is a great piece of contemporary theatre
By Samantha McManus
An Iliad is a great piece of contemporary theatre. The premise itself is fascinating and it is clear that the workshopping helped to create a solid script. My only hangup is that is got a little long winded at a couple of points.

0 of 4 people found the following review helpful.
Brilliant play
By Eileen Peterson
Until his performance is available on dvd, reading Lisa Peterson's play that David O'Hare performs is the next best thing.

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