14 Ocak 2016 Perşembe

^ Download PDF Dave Mirra (Amazing Athletes), by Jeff Savage

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An introduction to the life and career of the motocross figure Dave Mirra.

  • Sales Rank: #4876300 in Books
  • Published on: 2007-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .10" h x 7.22" w x 8.62" l, .20 pounds
  • Binding: Paperback
  • 32 pages

About the Author
Savage is a former sportswriter for the San Diego Union-Tribune.

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A basic overview of the life cycle of a frog.

  • Sales Rank: #2364352 in Books
  • Brand: Brand: Lerner Classroom
  • Published on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x .10" w x 5.90" l, .10 pounds
  • Binding: Paperback
  • 23 pages
Features
  • Used Book in Good Condition

About the Author
Melanie Mitchell has served on the ministry team of Word of Life Centre in Red Deer, Canada, since 1996. She is a gifted communicator passionate about helping people move forward into their destiny and purpose. Her dynamic teaching ability and inspiring words challenge people to be all they were created to be.

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0 of 0 people found the following review helpful.
Recommended by our daughter's Montessori preschool teacher
By L. Clark
The teacher for our daughter's Montessori preschool (18 months to three years) mentioned that the kids had been reading the various color books in this series while learning to use the bathroom independently. The text is short, great for a toddler's quickly growing vocabulary. We ordered a few for home, and our daughter (just over two years old) practically memorized them. In fact, she loves them so much that I've gotten a bunch more and she gets excited about each one. Highly recommend.

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Great!
By Jennifer Piel
Super book! The book arrived by mail in great shape. It fits in very nicely for my classroom frog unit.

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13 Ocak 2016 Çarşamba

^^ Ebook The Ruins of Allegory: Paradise Lost and the Metamorphosis of Epic Convention, by Catherine Gimelli Martin

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In this reexamination of the allegorical dimensions of Paradise Lost, Catherine Martin presents Milton’s poem as a prophecy foretelling the end of one culture and its replacement by another. She argues that rather than merely extending the allegorical tradition as defined by Augustine, Dante, and Spenser, Milton has written a meta-allegory that stages a confrontation with an allegorical formalism that is either dead or no longer philosophically viable. By both critiquing and recasting the traditional form, Milton describes the transition to a new epoch that promises the possibility of human redemption in history.
Martin shows how Paradise Lost, written at the threshold of the enormous imaginative shift that accompanied the Protestant, scientific, and political revolutions of the seventeenth century, conforms to a prophetic baroque model of allegory similar to that outlined by Walter Benjamin. As she demonstrates, Milton’s experimentation with baroque forms radically reformulates classical epic, medieval romance, and Spenserian allegory to allow for both a naturalistic, empirically responsible understanding of the universe and for an infinite and incomprehensible God. In this way, the resulting poetic world of Paradise Lost is like Milton’s God, an allegorical “ruin” in which the divine is preserved but at the price of a loss of certainty. Also, as Martin suggests, the poem affirmatively anticipates modernity by placing the chief hope of human progress in the fully self-authored subject.
Maintaining a dialogue with a critical tradition that extends from Johnson and Coleridge to the best contemporary Milton scholarship, Martin sets Paradise Lost in both the early modern and the postmodern worlds. Ruins of Allegory will greatly interest all Milton scholars, as well as students of literary criticism and early modern studies.

  • Sales Rank: #942476 in Books
  • Brand: Brand: Duke University Press Books
  • Published on: 1998-07-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.12" w x 5.86" l, 1.43 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Used Book in Good Condition

Review
“Martin has written a provocative study which is sure to stimulate further debate over the nature of Milton’s uses of allegory in Paradise Lost. It will prompt critics to reconsider their assumptions about Milton and allegory”—David Loewenstein, University of Wisconsin, Madison

“With sophistication and insight, Martin provides a wholly innovative, at times brilliant, study of Miltonic allegory. Ruins of Allegory will have far-ranging effect on future analysis.”—Albert C. Labriola, Duquesne University

From the Back Cover
"Martin has written a provocative study which is sure to stimulate further debate over the nature of Milton's uses of allegory in "Paradise Lost." It will prompt critics to reconsider their assumptions about Milton and allegory"--David Loewenstein, University of Wisconsin, Madison

About the Author

Catherine Gimelli Martin is Associate Professor of English at the University of Memphis.

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A biography of the U.S. Olympic mountain biker and World Cup winner who took up cycling after a short, successful, injury-filled career as a skier.

  • Sales Rank: #11339182 in Books
  • Published on: 1998-03
  • Original language: English
  • Number of items: 1
  • Dimensions: .19" h x 6.41" w x 7.99" l,
  • Binding: Paperback
  • 64 pages

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Novelist and essayist Hilary Masters recreates a moment in 1940s Pittsburgh when circumstances, ideology, and a passion for the arts collided to produce a masterpiece in another part of the world.

E. J. Kaufmann, the so-called "merchant prince" who commissioned Frank Lloyd Wright's Fallingwater, was a man whose hunger for beauty included women as well as architecture.

He had transformed his family's department store into an art deco showcase with murals by Boardman Robinson and now sought to beautify the walls of the YM&WHA of which he was the president. Through his son E. J. Kaufmann, jr (the son preferred the lowercase usage), he met Juan O'Gorman, a rising star in the Mexican pantheon of muralists dominated by Diego Rivera, O'Gorman's friend and mentor.

O'Gorman and his American wife spent nearly six months in Pittsburgh at Kaufmann's invitation while the artist researched the city's history and made elaborate cartoons for the dozen panels of the proposed mural. Like Rivera, O'Gorman was an ardent Marxist whose views of society were radically different from those of his host, not to mention the giants of Pittsburgh's industrial empire-Carnegie, Frick, and Mellon. The murals were never painted, but why did Kaufmann commission O'Gorman in the first place? Was it only a misunderstanding?

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  • Sales Rank: #1669130 in Books
  • Brand: Brand: University of Pittsburgh Press
  • Published on: 2005-04-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .70" w x 8.00" l, .83 pounds
  • Binding: Hardcover
  • 130 pages
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  • Used Book in Good Condition

Review
“Lovely, enigmatic.”
--Cleveland Plain Dealer

“Masters’ explorations make for a thought-provoking and entertaining book. He grounds his statements in a well-informed view of social history, to the point that linking the wild Mexican mural with Pittsburgh’s own smoggy history does not seem far-fetched at all.”
--Pittsburgh Post-Gazette

From the Back Cover
"A virtuosic and ingenious riff, a labor of love."--Edward Hoagland AUTHORBIO: Hilary Masters is the author of eight novels, two collections of short stories, a book of essays, and a family biography, Last Stands: Notes from Memory, that has been called "an American classic." The American Academy of Arts and Letters has given his work its Award for Literature.

About the Author

Hilary Masters\ is the author of eight novels, two collections of short stories, a book of essays, and a family biography, Last Stands: Notes from Memory, that has been called "an American classic." The American Academy of Arts and Letters has given his work its Award for Literature..

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4 of 4 people found the following review helpful.
Montaigne's Novella
By WLW
This book's striking cover caught the eye of many a potential juror as I read it while spending a day waiting to be placed on a panel of prospective jurors. What's more striking than the cover, though, is the prose inside and the artful way in which Masters has created scenes with the same photographic skill that has made his memoir, Last Stands, an American classic.

The book is aptly described as part history, part fiction, all essay and one can't help but wonder that if the father of the essay had written a novella, this is surely what it would havve looked like.

Time and memory and the way in which memory allows us to travel in time (but always in an altered, often better, condition) are often the subject of Masters's work. Here, though, one sees the inner workings of his process as he forges a coherent narrative out of scant details and very few recollections. Reading this book is like watching an accomplished mathematician work out a solution to a famous unsolved problem. Except, the solutions here are presented as scenes of what might have happened.

And like a mathematician, Masters has the same up-front honesty: he acknowledges where his answers might be lacking. He hastens to add, however, that the truth is rarely as interesting as fiction, as what we remember: "My old friend and mentor Wright Morris once told me," he writes, "pass any fact through the human mind and it immediately becomes fiction."

Artists, affairs, robber barons and one giant attempt at a meaningful narrative produce a great read that never disappoints and often surprises.

6 of 8 people found the following review helpful.
Noit enough research
By Maria
This book was certainly interesting reading. Although as Juan O'Gorman's daughter I was very offended by Mr. Masters portrayal of the relationship my father had with me.

Our relationship was far from the "chilly" one described by Masters. I do not know where Mr. Masters got his facts, but when he contacted me he was only interested in what happened in Pittsburg which occured prior to my birth. Mr. Masters did not collect any information from me, about my full lifetime with Juan O'Gorman and Helen.

Masters carries on about a surgery my mother had, she had gallbladder surgery, not an abortion as he contends.

Another falacy was that Juan and Helen were divorced at the time of Juan's death,they had divorced and remarried pror to my birth, but I took care of all the legal affairs following my father's death and nowhere was there anything about them being divorced at that time. Helen did not leave Mexico and Juan to move to the US with me, she had come to the U.S. for medical care related to lung cancer, she returned to Mexico only to find he had commited suicide. These many "inacuracies" are hurtful to myself and my family.

2 of 4 people found the following review helpful.
just don't assume it is art history
By J. Oles
Whatever the literary merits of this short essay might be and keeping in mind the author himself reminds us that history is fiction and has no pretense of being a historian, I caution readers who, misled by the title, might think of this as somehow "art history". It is not. But I still have to point out that there are several errors that not even a dilettante (or non-historian) with -as he states- access to the Internet need make. For ex., it was the Cárdenas not Calles regime that censored O'Gorman's airport mural, and not because that regime was "flirting with fascism"; the Rivera-Kahlo studios are 1930 not 1936, and there is no Taxo (maybe Taxco: what about a spell check?). The "history" that gives him a story and helps him sell the book is sloppy, so much so that one is led to dismiss all the other other dates and points, like the gossipy innuedoes that are "retracted" sentences later, though the mud sticks. I don't blame O'Gorman's family for being less than enthusiastic.

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  • Sales Rank: #10315241 in Books
  • Published on: 2006-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.80" h x .20" w x 5.90" l, .15 pounds
  • Binding: Paperback
  • 8 pages

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A Boy Named Beckoning: The True Story of Dr. Carlos Montezuma, Native American Hero, by Gina Capaldi

At the end of his career, Dr. Carlos Montezuma tells his life story in the form of a letter that the author has pieced together from his writings: As young Wassaja, he was kidnapped from his Yavapai tribe by the Pima, a long time enemy of his people. They sold him as a slave and in 1871 he was purchased by Mr. Gentile, an Italian who actually made his living with an early camera. Together they traveled the nation, taking pictures all the way. Wassaja, now renamed Carlos, eventually enrolled in school in Chicago where he thrived despite difficult circumstances, eventually graduating from the University of Illinois, and Chicago Medical School. He devoted his life to lobbying on behalf of his people. The illustrator is a multi-media artist, and she has skillfully integrated her own paintings with Mr. Gentiles photographs of Carlos to give us a fascinating view of another era.

  • Sales Rank: #213238 in Books
  • Published on: 2008-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .30" w x 9.90" l, .85 pounds
  • Binding: Hardcover
  • 32 pages

From Booklist
*Starred Review* In her author’s note, Capaldi calls the story of Carlos Montezuma, “a testament to the character, heart, and human spirit.” And so it is. As a child in 1866, Carlos (then called Wassaja), a Yavapai Indian living in the Arizona territory, was kidnapped by an enemy tribe. Luckily he was purchased by Italian photographer Carlo Gentile, who renamed him and raised him as his son. Together, they travelled the West taking pictures. After settling in Chicago, Carlos proved himself so bright that he went to college at the age of 14, then attended medical school, eventually returning to Arizona to help his people and find his family. Drawing on a letter to the Smithsonian Institution and incorporating information from interviews, articles, and speeches, Capaldi uses Carlos’ own words to draw the reader close. Attractive watercolor paintings in desert colors are the backdrop for the text, but the design cleverly uses photographs placed in the margins, which make a strong visual counterpoint to the art. An extensive afterword, a source note, and a bibliography add much for researchers. Fresh and fascinating. Grades 2-4. --Ilene Cooper

From the Inside Flap
Kidnapped from his home...

Sold as a slave...

Raised in a strange culture...

This is the true story of a Yawapati boy called Wassaja. In his language, this name meant "Beckoning." Wassaja was only five years old when Pima Indians kidnapped him and sold him to a white man.

Thirty years later, the boy named Beckoning had grown up to become Dr. Carlos Montezuma. His work for the rights of Native Americans made him a model of hope for his people.

Gina Capaldi tells this remarkable story in the words of Montezuma himself. Photographs from his time and original paintings by the author create an inventive look back into history through the eyes of a Native American hero.

From the Back Cover
Kidnapped from his home...

Sold as a slave...

Raised in a strange culture...

Told in his own words, this story reveals the remarkable life of a Native American boy named Wassaja, or "Beckoning," who grows up to become a doctor and leader for his people, calling out for their rights.

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0 of 0 people found the following review helpful.
Sad and Inspiring at the same time
By Jim B. Kohnman
Not sure what to expect on such a big subject, in a book for Children, but this is a winner.
For sure it's a high level view of "Beckoning"'s life, but just right for a book aimed at children. It is both a sad in inspirational look at the life of an amazing person. I liked all the little side bar details that were added also.
Bought a copy for my daughter to read, and as a family were very impressed. So much so that we bought another copy to donate to the library at my daughters school.
No wonder it's won so many award, it's a well done book!

1 of 1 people found the following review helpful.
This book is a phenomenal recreation of the life of Carlos "Beckoning" Montezuma!
By Deb
Wassaja was a young Indian boy who lived "near Fish Canyon Creek in the Arizona Territory." He lived with his family in a small oo-wah (a small grass hut). The tribe he live with numbered around one hundred and fifty people. They often had to fear for their lives on the plateaus. One night in October 1871 he nestled with his mother and three siblings. The night soon turned into a nightmare when shots rang out and people began to scream. He ran for cover, but a strange Pima man "snatched [him] up by the arm and bound [him] with rope." Life for Wassaja, whose name meant "beckoning," would change forever. He now had a new name, Hejelweiikam ("left alone") and he was going to be sold as a slave.

Mr. Carlo Gentile, his new owner, tried to comfort him. He felt safe with his "new father" and was given yet another name. His new name was Carlos Montezuma, but his first name suited him better, least ways so he thought. Soon he was working in "Buffalo Bill's Wild West Show"playing the part of a young Apache captive and later he sold newspapers. Mr. Gentile met with misfortune when his "photo art studio burned to ashes and his finances were in ruin." Carlos was left with another family while his father tried to rebuild their lives. Carlos began to blossom. He was very intelligent and would be able to make a life for himself, but would he ever be able to find his biological family?

This book is a phenomenal recreation of the life of Carlos "Beckoning" Montezuma. The author attempted to piece together this biography from a "five-page letter" written by Professor Holmes of the Smithsonian Institution while staying to the facts and catching the spirit of the boy and the man. The book is wonderfully illustrated and is peppered with photographs, including Carlos himself and one of his actual Pima captors. In the back of the book there is more biographical information, a bibliography and additional recommended websites. This is an excellent biography that will appeal to both young and old alike!

3 of 3 people found the following review helpful.
Rutgers University Project on Economics and Children
By Yana V. Rodgers
Gina Capaldi makes a substantial contribution with this book by raising children's awareness of Dr. Carlos Montezuma's long-term advocacy work for the rights of Native Americans in the United States. Born in 1866 into a Yavapai family and tribe and named Wassaja, which means "beckoning," he was captured as a five-year old boy during a brutal attack. When Wassaja's captors tried to sell him as a slave, they came across Mr. Carlo Gentile, an Italian photographer who had immigrated to America in search of new work and adventure.

Much of the book relates their experiences traveling across America and their subsequent settling down in Chicago. Wassaja, by then renamed Carlos Montezuma, excelled in school and was accepted into the University of Illinois at the age of fourteen. Three years later this talented young man gained admission into the Chicago Medical College. After medical school, Dr. Montezuma undertook humanitarian work as an advocate for Native Americans in the United States.

These inspiring and remarkable events in Dr. Montezuma's life are told through the book's narrative (which is based largely on a five-page letter that Dr. Montezuma wrote), sidebar facts underneath original photographs taken by Mr. Carlo Gentile, and a detailed afterword about Dr. Montezuma's advocacy efforts. The book is also a treasure chest of economics lessons about investing in human resources, the economics of education, jobs, work, discrimination, and land rights. Children will walk away with important lessons about how a small Yavapai boy became a reservation doctor who courageously fought to strengthen the civil rights and improve the economic opportunities of Native Americans.

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