Ebook Wet: On Painting, Feminism, and Art Culture (University Museum Symposium Series; 6), by Mira Schor
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Wet: On Painting, Feminism, and Art Culture (University Museum Symposium Series; 6), by Mira Schor
Ebook Wet: On Painting, Feminism, and Art Culture (University Museum Symposium Series; 6), by Mira Schor
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Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor’s writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor’s own progress as a critic.
Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor’s most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism’s fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle’s depiction of women, Wet is a fascinating and informative collection.
Complemented by over twenty illustrations, the essays in Wet reveal Schor’s remarkable ability to see and to make others see art in a radically new light.
- Sales Rank: #789654 in Books
- Brand: Brand: Duke University Press
- Published on: 1997-02-21
- Released on: 1997-02-21
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .70" w x 5.88" l, 1.06 pounds
- Binding: Paperback
- 280 pages
- Used Book in Good Condition
From Publishers Weekly
Where have all the feminists gone? Let us hope they are all putting together collections like this one by Schor, a painter, writer and teacher at the Parsons School of Design. These essays, which were previously published in Artforum, Art Journal, Heresies and M/E/A/N/I/N/G, include lucid attacks on the mostly male bastion of art theory and criticism along with thorough analyses of the "failures" and triumphs of feminist artists. They are sure, rational and mature, written with the calm confidence that can only come from a woman who has lived with feminism for more than 30 years. Whether she is creating new canons or overturning old ones (Rodin's Balzac, traditionally said to be holding "his virility" underneath his great cloak, becomes a part of the "phallosensical homologue"), she does it with grace and a sense of humor. A modernist before she was a feminist, Schor began her career as a painter at CalArts Feminist Art Program in 1972, and in the second half of the book, she focuses more intently on painting. "On Failure and Anonymity" is a refreshingly honest essay on surviving the art world, while "Figure/ Ground" and "Painting as Manual" detail the joys of gooey pigment in theory and in practice. The last essay, which is about the concept of home, cleverly puts all of Schor's principal concerns ("irony, love, desire and representation") under one roof. Feminists, artists and other keepers of our subversive fires will certainly find a home in this inspiring collection. Illustrations.
Copyright 1997 Cahners Business Information, Inc.
Review
“Far more than a collection of random essays, Schor’s deliciously titled Wet is a cohesive and lively group of writings addressing issues central to the practice and theory of postmodern art. One is compelled to respect her passion and eloquence and to enjoy her rhetorical flair. Wet is a ‘must’ for all scholars, critics, and artists interested in the contemporary art scene.”—Amelia Jones, author of Postmodernism and the En-gendering of Marcel Duchamp
“Mira Schor’s collected critical art essays are witty, insightful, incisive. As artist, writer, and magazine editor, she shows us cracks in the art world’s walls. She is up-to-date, on target. In a controversial field, she is a bold and confrontational critic.”—Nancy Spero, artist
From the Back Cover
"Far more than a collection of random essays, Schor's deliciously titled "Wet" is a cohesive and lively group of writings addressing issues central to the practice and theory of postmodern art. One is compelled to respect her passion and eloquence and to enjoy her rhetorical flair. "Wet" is a 'must' for all scholars, critics, and artists interested in the contemporary art scene."--Amelia Jones, author of" Postmodernism and the En-gendering of Marcel Duchamp"
Most helpful customer reviews
0 of 2 people found the following review helpful.
Five Stars
By Hayley Barker
Thank you.
4 of 4 people found the following review helpful.
This Was Really Good
By Laurie J. Jackson
I am always looking for books that are relevant to studio painting theory and this was perfect. As a studio artist I related to the content and was informed. I wish I was still teaching painting on the graduate level because I would assign some of these essays to my students. Schor speaks clearly and distinctly, she understands methodology and practice and how these function in tandem. Many authors don't do this probably because books on art are often written from an art historical or art critic stand point. Schor who is also a painter enables her to make the distinction which I clearly identified with. I wish there were more writing as artists rather than the voyeuristic approach that it feels others take.
0 of 2 people found the following review helpful.
Five Stars
By Bernadette Hackett
thanks
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